## Numerical Imagery

imagery expression rich in images || the images occurring in someone's mind

## The trophos and the single digit musical matrix numerology

In our first section of numerical imagery are a set of three images which reveal the principles, laws and clues to understanding, unravelling and defining the essential infinite qualities of this single digit musical matrix numerology. The first image is what the ancient Greeks called the “Trophos” meaning “Sound”. It is a mathematical Greek square that represents logic, wisdom, philosophy and vibration. It is also the basis for the essence of single digit numerology. It may be one of Man’s first analog computers and functions as a balance beam. The Trophos contains 4 sets of opposite numbers that add up to the sum of 10 or the 1 as in 1-9, 2-8, 3-7, and 4-6 revolving around the number 5 as the pivot which when added to itself equals 10 or the 1. In the single digit numerology the numbers are added to make 1 single digit and there is no 0, so 10 is 1, and 11 is 1+1=2 and so on. This matrix math functions as an analog computer and is performed column by column in vertical 3 digit runs which are all divisible by 3, and add up to the sum of 6 in the single digit. In the horizontal rows are 3 digit frequencies in Hertz which are radio waves that reflect as musical vibrations and are all divisible by 3 adding up to the sums of 3, 6, and 9 or 9, 6, and 3 acting like a transmitter/receiver to your Soul.

The Greek Trophos square looks similar to the Lo Shu magic square of ancient China which is recognized as one of their most sacred designs. The Lo Shu square uses the same 9 numbers as the Trophos square with 4 opposing sets rotating around the number 5 but in a different configuration of vertical columns that display 438, 951, and 276. This Chinese magic square is more about a number arrangement representing harmony and balance of the Universe. It is thought of as a 3x3 magical grid because every row, column and diagonal equals the same sum of 15 which is considered to be a powerful number corresponding to the days in the cycle of the new moon to the full moon. Similar to Yin and Yang, the Lo Shu square demonstrates opposing forces that create a balanced whole. It is is also an important emblem in Feng Shui.

The second image of section one is a 4x4 number grid that functions like a magic square with all rows, columns, diagonals and even quadrants adding up to the sum of 19 or 1 in the single digit. It is not a true magic square because some of the numbers are repeated. This is necessary when exploring the single digit matrix numerology which opens up this math of vibrational radio waves and the language of your Soul. It is similar to the 4x4 magic square authored by the Catalan sculptor Josep Maria Subirachs which adds up to the sum of 33 or 6 in the single digit. Subirachs is the artist that created the wonderful sculptures that adorn the facade of the Sagrada Familia, the famous Roman Catholic church in Barcelona designed by the brilliant Catalan architect Antoni Gaudi. Amongst Subirachs sculptural Biblical scenes you will find his imaginative square with a magic constant of 33 which is the age of Jesus Christ at the Crucifixion. As I have said in the past the only way to negate the evil force of 666 may be to fight it with the positive or magical force of 666. Subirachs magic square with multiple configurations adding to the sum of 6 in the single digit may be lending us a clue to this part of the puzzle involving the fate of Mankind and the Humanities.

The third image in section one reveals a 3x3 magic square with all rows, columns and diagonals adding to the sum of 3 in the single digit. Each of the 9 squares contained in the grid represent the 9 variations of the number 1 that are possible in the double digit. Notice how the 3 columns of 2 digits have first numbers that are starting at 1 and ending at 9 as was witnessed in the first image of the Greek Trophos square. Now focus on how the second numbers of each column start at 9 and end at 1 as a complete opposite of the first numbers that start at 1 and end at 9. The 4 opposing sets of numbers in the double digit 3x3 magic square all add up to the sum of 110 and are balanced by 55(2x5) in the middle and now you begin to see how this analog computer is beginning to take effect. In the single digit grid rotations the sums add up to 10 and are balanced by 5, and in the double digit grid rotations the sums add up to 110 and are balanced by 55. The other interesting factor is that the first numbers of each vertical column provide the first 3 frequencies of your Soul codes in Hertz moving in a forward direction, while the second 3 numbers of each vertical column reveal the last 3 frequencies of Mans 7 note musical scale moving in a reverse or backward direction. Just to make sure, you should be able to see 3 Soul codes of 147, 258, and 369(12,15,18) that will provide 1 single vertical 3 digit code of 369 for the first numbers of each row. Now you should also able to see the 3 musical frequencies in Hertz of 963, 852, and 741(18, 15, 12) that will provide 1 single vertical 3 digit code of 963 for the second 3 numbers of each row. Each Soul code has a numerical spacing of 3 in between every integer while each musical frequency in Hertz has an interval ratio of 6 in between every number. It is a reflection of vibration and energy divisible by 3 that bounces back and forth in a wireless fashion to the tune of 369 and 963. When the 3 codes of the Trophos and the 3 reflective codes of the musical vibratory square are oscillated all 9 codes for both squares are revealed as every frequency has the ability to spin 2 more sympathetic vibrations. So for example 369 can oscillate 693 and 936, whereby 963 can oscillate 639 and 396. Every single one of all 18 codes has this ability to generate 2 more subsequent codes which are all divisible by 3, and will break down to 369 or 963 depending on whether you read them from left to right or from right to left.

## Matrix magic squares

In this second set of 9 images, section two of numerical imagery reveals what I will refer to as matrix magic squares. In this case the use of the word matrix will mean something embedded within something else, or a numeric square within a square. The first design in this set of 9 matrix magic squares is the result of 9 separate magic squares each adding to the sum of 1 in the single digit. These 9 squares are encompassed into the larger square which will add up 3 in the single digit as in 3x1=3. If you recall the last square in the previous grouping of 3, it is the result of this first square in this grouping of 9 images. In our first of 9 images are the 9 possible magic square variations of the number 1 in the double digit. Their derivatives will add up to the sums of 19, 28, 37, 46, 55, 64, 73, 82 and 91. As one complete matrix magic square all rows, columns, and diagonals will add up to 3 as in 3x1=3. As far as I know I may be the first or sole author of a matrix magic square but I cannot say with any certainty, and just making such a statement may come across as a little bit egotistical for what do I know not being a mathematician of having any scholastic degree or diploma to back me up. Yet, something just tells me that I know this is so. I am only a poet writing down this song in a key of our afterlife in the language of our Soul.

Now that you have a good idea about what is happening in this first of 9 images, the other 8 matrix magic squares should just begin to fall into place. So in other words each of the 9 inner squares of the second matrix magic square will add up to the sum of 2, or 3x2=6 right across the entire grid horizontally, vertically, and diagonally. Each of the 9 inner squares of the third matrix magic square will add up to the sum of 3, or 3x3=9 right across the entire grid horizontally, vertically, and diagonally. It will continue to work in this fashion for the remaining 6 images with the 9 inner squares of the forth image adding to 4, or 3x4=12, or 3 right across the entire grid. The 5th image contains 9 inner squares adding to 5, or 3x5=15 or 6 right across the entire grid horizontally, vertically, and diagonally. In this manner we will see how the 6th image houses 9 inner squares adding up to the sum of 6, or 3x6=18 or 9 right across the entire grid. The seventh image holds 9 inner squares that will add up to 7 in the single digit, or 3x7=21 or 3 right across the entire grid. Each of the 9 inner squares of the 8th matrix magic square will contain the sum of 8, or 3x8=24 or 6 right across the entire grid, and finally the 9th image of a matrix magic square holds 9 inner squares that will add up to the sum of 9, or 3x9=27 or 9 in the single digit right across the entire grid horizontally, vertically, and diagonally.

## The intricacies of numerical imagery

The third section of numerical imagery reveals 3 images which will help to explain the intricacies of the previous 2 sections with additional follow up details. In this first image of section 3 is a grouping of 9 double digit magic squares that will add up to the sums of 3, 6, or 9 in the singe digit. When you look at the first inner square at the top left corner you will see the 9 double digit variations of number 1 as in 19, 28, 37, 46, 55, 64, 73, 82 and 91. This smaller inner square is the same as the larger double digit magic square that was witnessed in the third image of the first section of 3 images. This first image of section 3 also represents all 9 possible double digit variations of all 9 matrix magic square images contained in section 2. The middle left inner square of this first image in section 3 holds the 9 possible variations of the number 2 in the double digit as in 11, 29, 38, 47, 56, 65, 74, 83 and 92. The lower left grid contains the 9 possible combinations of the number 3 as in 12, 21, 39, 48, 57, 66, 75, 84 and 93. The upper middle magic square houses the 9 possible double digit variations of the number 4 as in 13, 22, 31, 49, 58, 67, 76, 85 and 94. In the centre magic square are the double digit combinations of the number 5 as in 14, 23, 32, 41, 59, 68, 77, 86 and 95. The lower middle grid contains the 9 double digit variations of the number 6 as in 15, 24, 33, 42, 51, 69, 78, 87 and 96. The upper right magic square houses the 9 possible double digit variations of the number 7 as in 16, 25, 34, 43, 52, 61, 79, 88 and 97. The middle right chamber contains the 9 possible variations of the number 8 as in 17, 26, 35, 44, 53, 62, 71, 89 and 98. And finally the lower right inner magic square houses the 9 possible double digit combinations of the number 9 as in 18, 27, 36, 45, 54, 63, 72, 81 and 99.

Notice how the first number of every double digit column in each square of the first image in section 3 is the same as every other square in this image, with three vertical columns of 123, 456, and 789 in each magic square. This is the same numeric pattern that was documented in the Greek Trophos square that was witnessed in the first image of the first section in numerical imagery. Now take a look at the second number in every vertical column of each magic square in the first image of section three. The second number of each vertical column in the first square starts with 9 and moves in a reverse direction to 1. The second number of the second square starts with 1 and moves in a backward motion to 2. In this fashion the second number of the third inner square begins with 2 and moves to 3. The fourth square starts at 3 and moves to 4. The fifth inner square starts at 4 and moves in a reverse direction to 5. The sixth magic square begins with 5 and moves to 6. The seventh inner square starts at 6 and moves to 7. The eighth square starts at 7 and moves to 8. And finally the second digit of every column in the ninth inner magic square of the first image in section three begins with 8 and moves in a reverse or backward direction ending at the number 9. This is how the analog computer moves, in rows, columns, tumblers and digit counters, clockwise and counter clockwise like a timepiece of the Universe, or a slide rule, water meter, speedometer, or even a pinball machine. Even more fascinating is that the first integers of the three horizontal rows in each inner square provide the first 3 Soul codes of 147, 258 and 369, whereby the second integers of the three horizontal rows in each inner square provide the musical frequencies in Hertz of the 9 note numerological scale which is 963, 852, 741, 639, 528, 417, 396, 285 and 174. The other amazing aspect of these 9 singular inner magic squares is that they are a double digit breakdown for all 9 of the numerical images that were provided in section 2, but these 9 inner squares are all transcribed in vertical columns of 1 to 9 instead of the horizontal rows that were used in the 9 images of section 2, but are still providing the sums of 1 to 9. Being both infinite and matrix in nature gives this math the ability to be read and performed in equations vertically or horizontally. Also if you visually draw all of the inner squares together you will have one complete extra large mega matrix magic square with all rows, columns, and diagonals adding up to the sum of 9.

The second image in section three reveals a variety of different musical matrix numerology squares. I put this design together as a sampler of different techniques encompassed in the math, and how they can be used in the single, double, or even triple digit applications. In the first inner square on the top left corner is the Key to the Kingdom of Celestial Harmony and Spiritual Significance written in the Language of the Soul which I call the “God Matrix”. This configuration of numbers placed in a Greek square came to me as my first sign from the Consciousness of Man opening up this mathematical art form and allowing me to gain access into the rabbit hole. The moment I entered I knew that there was no turning back as I had begun a journey of artistic significance with no limits or bounds which was taking me into the deepest depths of my very Soul. It became like an all consuming passion of infinite logic and perception that allowed me to humanistically go to new places where no man has gone before. In the God Matrix square is a composition of 3 infinite codes that are derived from the Pythagorean single digit multiples of 3, 6 and 9. The first row of 369 is the third Soul code of 9 frequencies in Hertz. The middle row of 639 is the sixth frequency of Man’s codes in the concert pitch of A=432Hz. It is also the fourth or middle note of the 7 note musical scale and known as Fa and makes a cross right in the middle of the grid. The third row of this matrix square consists of three 9’s or 3 of a kind which are derived from the addition of the first row plus the second row, or a Soul code plus a musical Man code. Remember you are adding single digits, one number at a time, column by column, row by row in this matrix math, and not the whole 3 digit sequence. This square is the same whether it is read horizontally or vertically which gives it an infinite quality that can be compared to longitudes and latitudes, with no beginning and no ending which gives it a timeless Alpha and Omega dimension. It can also be visually imagined as a 2 dimensional 8 point star, or a 3 dimensional 16 point box in a box. The God Matrix square shows us a vibrational existence in the form of a blueprint for wireless alternating current energy that flows freely to and fro as a transmitter/receiver between Mankind and something or someone else. It does this in the simple equation of positive + negative = ground. In other words 3 + 6 = 9 as 9 is the constant or grounding feature because any number of 9’s added, or any number multiplied by 9 will remain 9 in the single digit. This is one of the principle laws in the practise of single digit numerology.

The second or top middle inner square can be seen as a mirror image, or a reflection of the first inner square. Notice how the first Soul code of 369 in the first inner square becomes the musical Man code of 963 or Ti in the second inner square. In the same manner the second music code of 639 or Fa becomes a mirror reflection of 936 which is the last of 9 Soul codes. And the third code of 999 remains 999 in it’s reflection as it is a constant and a magic number which signifies completion in this matrix math. These examples provide additional principles and clues in the laws of reflection giving Man another Key to the Kingdom witnessed in how the numbered codes can be discovered and read. Another interesting aspect of these infinite vibrational conjoint codes that appear in the form of radio waves begins to happen when you start to notice how they can not only be read from left to right as in English, but can also be read from right to left as in Hebrew or Muslim providing us with yet another Key to the Kingdom in this Celestial Matrix mathematical language of the Spirit. When read from left to right the Soul code has an interval ratio or spacing of 3 in between each number in the 3 digit code as well as from the last number back to the first number which gives these frequencies the infinite oscillating qualities that can produce 2 more sympathetic musical notes from each and every code in the gamut of all 9 reflective codes of the Soul. When read from right to left the Soul code becomes a musical code of Man with an interval ratio or spacing of 6 in between each number as well as from the last number back to the first of every note in the gamut of all 9 musical codes. And so it goes back and forth in a vibratory dance between Man and his Soul in this “Music of the Spheres” providing yet another clue in the form of a theory from the great Soul of Pythagoras who not only gave us the interval ratios in the musical notes, but also provided musical theory, the concept of metempsychosis or reincarnation, the Pythagorean Theorem, and is also the author of the single digit Pythagorean Numerology.

In of itself the single digit numerology has been yet another Key to the Kingdom by way of mapping out the rules of laws and principles that have kept Man accustomed on how to be using this Matrix Math of the Soul until the deliverance of it’s inception. Considering myself as an Ambassador of the Soul I believe that the single digit numerology combined with this Numerological Matrix Math that I have been channelling over these past 8 years or so is actually the lost math and riddle of Pythagoras. This was a very secretive math that had to be learned directly from the teacher by the spoken word and had to be visualized as nothing was ever written down. Since the death of Pythagoras 3000 years ago scholars have been trying to rediscover and solve the well hidden mathematical language of this illustrious man of stature and nobility. It is also my contention that Pythagoras should be considered as one of Man’s main Prophets. Pythagoras chronologically falls in-between Moses the Prophet of God and God’s Laws in the form of the 10 Commandments, and the life of Jesus whom I would consider to be the Prophet of Man as in the Saviour who has died for Man’s Sins. I would also have to put forward the proof of concept that Pythagoras may very well be our most important Prophet as he is of the Soul as in the third part of a trilogy that concerns the Father, the Son, and the Holy Spirit. And like the Spirit of the Trinity Pythagoras has moved in mysterious ways and still has wonders to perform. From the Humanities of Mankind Pythagoras has brought us so much significance in the different forms of our liberal arts such as the Muses, Music, Museums, and Maths as well as being the father of Greek Philosophy. The are no limits or boundaries to the scope of influence that this solitary Soul has achieved in the development of Mankind’s legacies.

Even Jesus said unto his disciples before the cruxifixction that the Comforter who is the Holy Ghost will come and teach us new things, and bring back all remembrance whatsoever I have said unto you. And so it was written in the Book of John. And now I will say unto you that if ever there were a time for humanity to bring back all of it’s remembrance I say to you that that time has now come, what with the loss of our attention span due to the Digitalization of Man and the pandemic spread of the various forms of dementia and mental illness. It is now time to stop rejecting our Soul, by reaching out and reconnecting to that divine Spirit that resides from within. Wake up people for there will not be too much more time to solve or resolve this humanitarian equation that has the capacity to enlighten you by bringing back all remembrance of a time when you truly were a Sentient Celestial Human Being. Do not worry about what other people might think or say for this is something that you will do for yourself and not something that you will do for public status, social awareness or monetary gain as money cannot buy your personal health or your love. This is something that you will do for your Eternal Soul and for your Life. For what greater reward could there be than to reach out and touch your very own Soul, while you are still alive and breathing so that you may cognitively join that very same Spirit and take it’s Journey of the Soul when you are not breathing. This may be accomplished by using the Celestial gifts that you have garnered, and gain access through the Gates by way of a discipline achieved from the use of your very own set of Keys to the Kingdom.

Sometimes I can get a little carried away with the dialogue which granted is of the utmost importance, but we should get back to this central theme which is the significance that is to be learned from the practise of this numerical imagery of the Soul. If we now bring our attention back to the third upper right inner square of the second design in section three we will now see a square that contains a top row of 333, a middle row of 666, and a bottom row of 999. This is the result obtained by the addition of the first and second inner square equalling the third square providing yet another law, principal or key to this infinite numerical language. So to sum up these first three inner squares we begin to become more aware and start to realize how the addition of two Soul codes is equal to a Man’s musical code, whereby the addition of two Man codes is equal to a Soul code, and the addition of a Soul code plus a Man code is equal to three of a kind.

Moving on to the fourth left middle inner square is a configuration which I call the Star of David Matrix. It consists of the beginning, middle, and end of our 7 note musical scale in the frequencies of Hertz which are in fact radio waves, and in this matrix math will only work if performed in the correct concert pitch of A=432Hz. I call this grid the Star of David because of the geometry witnessed when you connect the three 6’s, and the three 9’s which result in a double triangle configuration. The three 3’s that run through the middle of the square divide the cube into another two triangles, and when you perform the 4-way reflection process you will find a succession of boxes within boxes which interconnect all of the individual numbers. Similar to the God Matrix grid that was described in the first inner square of this section, these 3 frequencies of Ti, Fa, and Do can be read in rows horizontally, or in columns vertically. This particular grid design pattern also displays the same cross feature of 639 that was witnessed in the God Matrix cube. The frequency of 639 Hz is the vibration of Fa which is described in the Latin dictionary as meaning Famulus which I believe is the Family of God and Man. Another interesting fact is that in the Orthodox Jewish faith there are 639 absolutions. Also in the Spanish city called Grenada resides the wonderful Moorish palace known as the Al Habra which means red. The name Grenada means pomegranate and every single pomegranate contains exactly 639 seeds reflecting how these vibrational musical codes of the Universe also reflect our very nature as we are not necessarily made in the image of God, but as a microcosm of this Universe are made as a reflection of our existence. Furthermore the Jewish word for God which is Jar-way means to breathe is to exist. Any of the 3 codes in the Star of David Matrix can sympathetically oscillate the other 2 codes as there are only 3 numbers combined which give this matrix it’s infinite and vibratory qualities. Also a different Star of David Matrix can be made by using any 1 of the 9 Man or Soul codes giving us one more clue to solving the riddle in the form of yet one more infinite Key to the Kingdom.

In the fifth middle square of the second design in section three is a repeated smaller version of the same larger picture that was described in the third image contained in section one of numerical imagery. This design shows the 9 possible 2 digit variations of the number 1 in the single digit. The first digit of every double digit number brings back the same result as the 9 single digits found in the Trophos square moving from 1 to 9, while the second digits move in a reverse pattern from 9 to 1. Looking at the sixth middle right inner square we can see what a mirror reflection of the fifth middle pattern looks like. Notice how the matrix reflection of double digit patterns cause the cube to be read vertically from bottom to top instead of vertically from top to bottom. If we were to continue into a 4-way matrix reflection, we would find out that the second reflection pattern would be repeated underneath the first pattern, and that the fourth reflection would be a repeat of the first pattern laying directly beneath the second pattern.

Our seventh lower bottom inner square is another depiction of the Greek Trophos square that was described in the first image of section one and shows the 9 different numbers in the cube moving vertically from 1 to 9. All of the opposing outer numbers from the 5 in the middle of the cube will add up to the sum of 10 creating a balance beam effect with two fives equalling ten. In the eighth or bottom middle inner square is a cube containing all of the 9 frequencies from the Spirit which we have been calling the Soul codes. Notice how all of these Soul codes have an interval ratio of 3 meaning that there are 3 spaces in-between every digit and from the last integer back to the first. In case you are still having trouble counting in this realm always remember that there is no zero as this is not a number, has no place, and does not exist when communicating in the single digit discipline. The ninth bottom right inner square of this third image in section three is a mirror reflection of the eighth design pattern revealing the 9 musical Man codes flowing vertically with the first digit of each code moving from 1 to 9 as in the Trophos square. The second digit of each frequency in Hertz moves vertically from 7 to 6 and the third digit moves vertically from 4 to 3 revealing how the musical codes have an interval ratio or spacing of 6 in between each and every number as well as from the last integer back to the first of every 3 digit frequency. Whether we reflect the ninth inner square of musical codes backwards or forwards the cube of Soul codes that result will have an oscillatory effect of skipping the second column or row with a first digit pattern of 123, 789, and 456. This shows how the balance beam of a Soul code square pivots on 8, the Celestial number of God in the form of an infinity loop. The first digits of the square opposing 8 would be 1-6, 2-5, 3-4, and 9-7 adding up to the sum of 7 with the balance of 8, as in 8 plus 8 equalling 16 or 1+6=7 in the single digit. Also another rule of Greek numerology is that 8 the infinite number of God is the only number which when multiplied by itself is equal to 1 as in 8x8=64 or 6+4=10, or 1 in the single digit. When you look at this ninth inner square of triple digit frequencies you can see how it performs in the same manner as the single digit Trophos square with the balance of ten pivoting on the addition of two fives. Adding one column at a time 174 plus 963 is equal to the addition of 528 plus 528 in the balance of 147. All opposing frequencies around the middle of 528 will result in this same conclusion. This shows how the addition of two Man codes transpose into a Soul code. This same result will be witnessed when the procedure is performed on the eighth inner square with the addition of two Soul codes transposing into a Man code. Thats just how this matrix math of music acts and performs. So you can see that what I have discovered here is a mode of extending the single digit numerology into a musical and vibrational triple digit format. A format which can actually help Mankind to regain his Humanity by way of a cognitive awareness of the Quantum Universe and by the way of a delivery system in the form of a message from the Soul of Man. This same principle of matrix language may also be seen in the middle inner square of the second image in section three, but without the musicality and vibration which is lacking in the double digit format. You can see how the 19 and the 91 is equal to 110 which is double that of the cubes centre of 55, or 2x55=110. All of these squares which oppose this centre will add up to the sum off 110. So in a way this principle of a square that contains 9 different integers that rotationally pivot around a balanced fulcrum whether in a single, double or triple digit format, is really quite similar to the triangle in the Pythagorean Theorem. The difference being is that in the decimal math of Man the sum of two equal sides in an isosceles triangle is equal to the third side, as opposed to the duo decimal math of the Soul whereby the third or middle side instead of being equal is only half the size of the other two sides combined.

This is what happens when you cross over into another dimension which is that of the Soul. It’s kind of like how the spacing or interval ratio of a Soul code is only 3 which is half of the interval ratio of a vibrational Man code which is 6. Of course, in an inter dimensional vibrational quantum duo decimal math system, three sides of an unconnected triangle which only connect vibrationally as in string theory may appear to be seen as a straight line, but then again this might be seen as here say. Also to be considered is that the single digit Trophos square and the double digit variations of 1 square, or any other double digit number square are not vibrational as the triple digit frequency squares are. This is due to the fact that 3 digits are needed to create a frequency. Even so, the Trophos square of itself consists of 3 horizontal rows of Soul frequencies which can be reflected into musical Man frequencies. And by the same token the double digit variation squares of any number can provide the 3 codes of the Trophos in it’s first digit of every row and a musical Man frequency in it’s second digit of every row in the square.

Moving on, the third and final image in section three is a design that reveals another aspect of the analog computer. The first 3 vertical inner squares show how the 9 Soul codes move in a forward direction from 1 to 9. The second 3 vertical inner squares reveal the 9 Man codes moving in a reverse direction from 9 to 1. And the third or final 3 vertical inner squares prove the conclusion that a Soul code and a Man code can combine into 3 of a kind. If the bank of Soul or Man codes were to be moved up or down a single notch, the third bank showing 3 of a kind would all change respectively to a 2 or a 9. That’s the analog computer consisting of numbers moving up or down, backwards and forwards, horizontally or vertically, clockwise and counter-clockwise, in single digit rows and columns like a finely tuned Swiss timepiece of the Universe which connects and vibrationally inter connects all living matter. Also these 2 banks of triple digit Soul and Man codes can be seen in the double digit variations of the 9 different integers. If we use the middle inner square of the second image in this section as an example we can see how the double digit variations of 1 provide the first 3 Soul codes of 147, 258, and 369 moving in a forward direction in the first digit of the 3 horizontal rows. In the second digit of the 3 horizontal rows are the last 3 Man codes of 963, 852, and 741 moving in a backward or reverse direction. Now notice how the first number in each column of each inner square in bank 1 and 2 in the third image of this section starts with a 1 moving forward to 9 in bank 1, and from 9 moving in a reverse direction to 1 in bank 2. Add these 2 columns together and receive the double digit variations of 1 as in 19, 28, 37, 46, 55, 64, 73, 82 and 91. These are the same variations that we just talked about from the middle inner square of the second image in this section.

## A vibrational musical triptych

Our final grouping of 3 design patterns in section four of numerical imagery is actually a numerological vibrational musical triptych. The title of these 3 images is “Soul of Man”, and as a triptych should ideally be viewed as one. This work of numerical art shows the combinations of Soul and Man frequency codes revealing 3 of a kind. The first bank of 3x3 cubes show a 3 row repeating code of 147, 258 and 369. So in other words the first bank of inner squares for all 3 images in this triptych consist of 9 Trophos cubes. The second bank of inner squares in this triptych consist of 3 digit, 3 row frequency codes which have columns that line up as 3 digit runs. Notice how each column of every inner square moves in reverse direction, but the successive 3 row groupings of frequencies in each inner square increase by 1 in a forward direction. This is done so as to allow the 3 of a kind groupings to increase by 1. The third bank of columns consist of 3 rows with 3 of a kind providing 9 identical integers in each cube which move in a forward direction from 1 to 9 with groupings of 3 identical rows. Due to the fact that 9 is a constant and any number multiplied by 9 remains 9, the cubes in bank 3 of this triptych will all add up to the sum of 9. Each vertical column, horizontal row, and diagonal line for every magic square in bank 3 of each image in this triptych will respectively add up to the sum of 3, 6 or 9. Each 3 digit line in square 1 will be 3, square 2 will be 6, and square 3 will be 9 for the third bank of all 3 images in the triptych. All of the 9 inner squares revealed in each of the 3 images provided in this triptych consist of 3 digit numbers which are all divisible by 3. The first and second banks are containing 3 columns each which move vertically in 3 digit runs and horizontally in 3 digit vibrational frequencies, while the third bank contains 3 rows consisting of 3 identical 3 of a kind number patterns.

Another fascinating aspect of the matrix math is that whatever pattern that you can conceive of whether it be in a Soul expression combining with a conjoint Man reflection, or a Man frequency conjoining to the codes of your Soul, I have learned through the experience of going through the repetitions of the numbers that whatever works for one will no doubt provide the same matrix response for the other. So because of the great lengths that I have collectively gone through to understand these different laws, patterns and principles, I already instinctively and intuitively know that if I started this same triptych with the Man codes of 963, 852, and 741 in the first bank for all 3 images, instead of using the Trophos square and proceeded with 147, 258, and 369 for the second bank, increasing by 1 after every 3 frequencies, that I would achieve the very same 3 of a kind responses in this back and forth analog computer. Of course I had no idea that that was the case when I began to execute this triptych of numerical matrix art, but as you complete one project you are somehow encouraged to move forward and complete the afterthought just for the satisfaction of becoming aware of yourself, your instincts, and your intuitions. So even though I have not achieved the performance of this second triptych I already know that I will someday be driven by some uncanny force which will inspire me to accomplish this very task.