With the “Music of the Spheres” illustration, you can see the entire 4-way reflective Star of David Matrix which moves in a reverse or counterclockwise direction from 9 to 1 on the first two lines. These two lines represent the 4-way reflection of musical frequencies which also provide the spiritual codes of the Soul. The second two lines show the entire 4-way reflective Star of David Matrix which moves in a forward or clockwise direction from 1 to 9 on the second two lines representing the 4-way reflection of the spiritual codes which also provide our musical frequencies in Hertz in the correct concert pitch of A=432 Hz. If we take any one of the numbers on the first two lines and add those to any of the reflection spaced numbers on the second two lines the result will add to one. If we move the top two-lined bar one 4-way reflection forward or reverse (clockwise or counterclockwise) the addition of the two numbers will change from 1 to 2 or 9 respectively right across the entire board.
This aspect shows how the Star of David Matrix, and the music, as well as the Universe functions much like an Analog Computer. Four horizontal lines containing 9 crosses per line. When you multiply 9 representing the numbers 1 to 9 by the number of sides on each cross of twelve, it will equal 108 sides per line. Multiply this by the 4 lines and it will equal 432 sides. This is the same number as the correct concert pitch in Hertz or radio waves, that was changed to 440Hz in 1953 because of a recommendation to the International Standards Organization (I.S.O.) in 1939 from Joseph Goebbels, who was at that time the Minister of Propaganda for Adolf Hitler and the Nazi Party.
This artwork titled “Music of the Spheres” named after a theory of Pythagoras is really only half of the picture. The second half or continuation starts with the third two lines from 1 to 9 of spiritual codes moving in a forward direction, and the fourth two lines starting with the musical frequencies from 9 to 1 moving in a reverse direction. In this way the matrix acts very much like a piano keyboard of 8 octaves, with sides of crosses adding to 864 (2x432) sides. A measurement phenomenon that aligns with 432Hz concert pitch is in the amount of the spatial musical intervals connected to the organic system and the timing of planetary movement. A phenomenon that is also based on another Pythagorean theory is "the interval ratios in the musical notes", as well as our Pythagoras who authored our musical theory. In our Solar System, Saturn is the accurate measurement and timepiece of the cosmos as it orbits the procession every 864 years. Also the natural patterns and nodal space resonance of scaler waves line up with the harmonic overtone partials of 432Hz concert pitch. By changing the tuning of our concert pitch to 440Hz in 1953, man was able to change the perception of dimension. At A=440Hz concert pitch tuning the sound of our music can seem brighter, thinner, up and to the side of the head, and has the ability to cause anti-social behaviour, as opposed to the correct concert pitch tuning of A=432Hz where one is able to experience the sound of our music and literally feel the rush of energy in the body, at the spine and in the heart. It’s really all about time and space, perception and experience, humanity and love.